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Thursday, April 5, 2012

Plumassiers

Running parallel to these hat making arts were feather workshops or more correctly workshops called plumassiers where feathers were dyed and made into arrangements from boas to aigrettes to tufts and sprays for both the worlds of fashion and interiors. Plumes have always been a status symbol and sign of economic stability.
Fortunes were paid by rich individuals for exotic feathered hats. Gorgeous feathered hats could command as much as £100 in the early Edwardian era. The Edwardians were masters in the art of excess and the flamboyant hats of the era are a clear example of this.

At one point whole stuffed birds were used to decorate hats, but as the new more enlightened century emerged, protests were voiced. In America the Audubon society expressed concern and in England the RSPB (Royal Society for the Protection of Birds) campaigned for ecological understanding.

Eventually plumage pleas were heard and Queen Alexandra forbad the wearing of rare osprey feathers at court so that the osprey bird was not plundered for feathers. For a few years magazines quietly ignored making reference to feathers on hats as women continued to wear them. But soon the use of other rare bird feathers was banned and thereafter only farmed feathers could be used and only from specific birds

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